Even naked, her instrument fully exposed, the young actress lacks the practice to reveal the character’s inner turmoil.
Odd that Filomarino has chosen to work with such an untried and unengaging cast, considering that his previous short film, a sly Patricia Highsmith-esque mini-thriller called “Diarchia,” benefited from the participation of Louis Garrel, Riccardo Scamarcio and Alba Rohrwacher.
“Antonia Pozzi was an Italian poet.” That terse description, augmented only by the dates of her birth and death (at age 26), is all the English-language Wikipedia entry has to offer on the tragic literary figure whose life inspired Ferdinando Cito Filomarino’s “Antonia.” Though the helmer’s impressionistic debut celebrates the “plainness” of Pozzi’s poetry and the unique “style that doesn’t feel like style” it exhibited, as biopics go, the project offers few additional clues as to her significance — and therein lies the paradox of this elegantly conceptualized but frustratingly de-contextualized film: One really ought to be familiar with Pozzi’s work in order to appreciate this wispy sketch of the years she spent finding her voice and seeking a supportive audience.
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The Whisperers is a synthesis of diaries, photographs and letters hidden by the survivors of Stalin's purges and it perfectly captures the paranoia and secrecy that pervaded the lives of the Russia's ordinary citizens.