I had a constant horror of the children bursting in on us, so even on the rare occasions we managed to spend a night in our bed alone together, we still didn’t go anywhere near each other, our ears constantly alert for the creak of the door.
We started to bicker, something which I recognise as misguided passion. There was Rupert, waiting among the apple trees, and a romantic tryst followed that lasted about an hour.
We hadn’t even technically left home, but it felt illicit and incredibly exciting.
Donna Summer was one of a clique of itinerant musicians and performers who’d washed up in Munich at a time when the recording industry there was at its most vibrant.
Originally a cast member of the hippie musical Hair in Germany, she swiftly established herself as an in-demand session singer. “We became good friends,” says Moroder, “She was an incredibly talented singer, who could improvise but was also very disciplined.
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Bianca Jagger arrived at the club for her birthday party draped in a diaphanous red dress and riding a white horse – led by a naked man.
The photo spread around the world overnight, providing disco with one of its most iconic images – and the club became a byword for glamour and excess.
Released 40 years ago, yet still somehow managing to sound like the future even today, it’s dance music’s Year Zero; the song that started our journey through electronic disco, house, techno and beyond – and, in Patrick Cowley’s daring, psychedelic version, inspired the greatest remix of all time.