A two-car garage was carved out of the home’s northwest side; new windows open up the south side of the home, allowing for plenty of sun.
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Because it’s in front of the community’s common-access bluff trail, hikers don’t walk in front of the windows.
It’s a subtle, yet crucial, distinction separating this home from its neighbors.
The ranch, with its single-storied, low slung profile, its open-plan interior, attached garage and large windows conveyed a unique diffidence, informality and lack of pretention.
For Cliff May, the Californian designer credited with designing the first ranch house in the 1930s, the ranch house was developed to serve three basic tenets: ” With cross ventilation, sliding glass doors, large windows, private semi-enclosed patios and exterior corridors, the early ranch was all about "sunshine and informal outdoor living" that “connect you to the day, to the time of day and the weather of the day.” The post-and-beam construction and open floor plan allowed for a lot of light.
For the first time, kitchens were opened up to an ever-shrinking dining area.
Family and recreational areas were paramount, as was storage space.“It’s a Sea Ranch classic with a magical oceanfront setting,” said Jean Pral of Pacific Union Real Estate, who is listing 37711 Breaker Reach Road for .875 million.“This classic from 1971 is unlike any other and never to be duplicated.” Residents of this residence enjoy even more privacy than Sea Ranch’s typical denizens.The ranch house has been called the "Unpretentious, low-slung, cranked out like Big Macs by tract-house builders in the 1950s, it was America’s most widely built single family home its very success casting a spell that doomed it to invisibility."Among the thousands of ranch houses across the country, however, there are some real gems, especially the earliest versions and some of the exciting Modernist iterations that followed.While ranch homes can, in some ways, be the epitome of uninspired cookie cutter conservatism, many historians point out that the original concept was anything but conformist.In fact, it was downright radical according to author and Slate architecture critic Witold Rybczynski.